Let Love In [DE-Version, Regio 2/ B]
Nick Cave & The Bad Seeds

The eighth studio album by Nick Cave and the Bad Seeds, released on 18 April 1994. As of May 2015 it was certified silver by British Phonographic Industry for 60,000 sold units in UK. As of January 1996 the album has sold 50,000 copies in United States.

This is one of my favorite albums. It was during this period that I discovered Nick for myself. Of course, I had a previous edition of this masterpiece. Without a moment's hesitation, I bought exactly this new chic edition. Which I advise you!

After Nick Cave and the Bad Seeds recorded such successful and largely canonical albums as "The Good Son" and "Henry's Dream", which were warmly received by both critics and listeners, the group did not rest on its laurels, and gathered in the studio, she recorded an album that is rightfully considered one of the best releases of the group (and is recognized by many as the best, even despite the famous “Murder Ballads” released two years later). Of course, the group managed to further raise the bar of their work with this album, when it seemed that it was better for Nick Cave to record nothing more than “Henry's Dream”. But right after the release of the first single from the album “Let Love In” - “Do You Love Me?” it became clear that he was still far from the title of a neurotic and misanthrope. Well, the classic “Loverman” and “Red Right Hand” that came out after the album only strengthened everyone in this thought. "Loverman" should be known to you thanks to the band Metallica, which recorded a cover for the album "Garage Inc." 1998 year. And after listening to “Let Love In”, it immediately becomes clear that they were not able to surpass the original quite predictably. You probably heard the third single from the album "Red Right Hand", looking at the cry trilogy by Wes Craven, since this song was present in all three parts (and, hopefully, in the forthcoming fourth). But, of course, these are not the only worthwhile songs on this album. A vivid confirmation of this - the title "Let Love In" - beautifully arranged and catchy from the first seconds with an amazing keyboard "skeleton", on which Cave's sensual vocals "fit". In order to fully experience the album, you definitely need to get acquainted with the texts of Nick Cave, full of symbolism, allegories and references to a wide variety of works, which add even more depth to the musical canvas created by the talented musicians of The Bad Seeds. I don’t want to talk about the album "Let Love In" (like about most of Nick Cave and the Bad Seeds albums) - I want to listen to it many times and enjoy this near-musical music. I recommend listening to everyone who likes good music in all its manifestations.