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| Details / Tracklist: |
Disc 01
 01. "Opera Trance / Che mai sara?" 02. "Opera Trance / Al tempio!" 03. "Opera Trance / Numi d'averno" 04. "Opera Trance / E che faro!" 05. "Opera Trance / Perche?Perche?" 06. "Opera Trance / Che avverra!" 07. "Opera Trance / Idee funeste di duol" 08. "Opera Trance / Stupisco" 09. "Opera Trance / T'accheta e parti"
Disc 02
01. "Zooblast" 02. "Conquest Of Paradise(Long Version)" 03. "Grosse Gaukler Gottes" 04. "Angry Young Moog" 05. "Kosmisches Gleiteisen" 06. "Operatic March" 07. "Kosmisches Gleiteisen, Pt. 2" 08. "Angry Young Moog, Pt. 2" 09. "Dreieinhalb Stunden" 10. "The Schulzendorf Groove(1st Version)" 11. "The Schulzendorf Groove(Tribute Version)" 12. "Man At Work"
Disc 03
01. "Tradition And Vision / The Power Of Myth" 02. "Tradition And Vision / The Idea Of North" 03. "Tradition And Vision / Die Welt als Schaukel" 04. "Tradition And Vision / Tradition And Vision" 05. "Tradition And Vision / You Don't Have To Win" 06. "Tradition And Vision / My Constant Spirit" 07. "Tradition And Vision / No Ladies Did I See" 08. "Tradition And Vision / Musing On My Love"
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 | | Description: | Released in 8-panel Digipak. Includes a 16-page booklet.
From the liner notes:
"Disc 1: This is the second part of the Trance Opera Sans Lyrics: "Borrowed Time", to hear on [url=https://www.discogs.com/Klaus-Schulze-La-Vie-Electronique-13/release/4529313]LVE 13[/url]. [?] There exists a third (77-minute long) part called "Vat Was Dat", which I have included as a full bonus CD in the re-release of [r=910676]
Published 1997 by P.O.E.M. Musikverlag (all titles)
? 1997 Klaus Schulze & Klaus D. Mueller
© 2013 Klaus Schulze & kdm, under license to MiG music GmbH
Disc 2: The short track "Zooblast" was done during Klaus' Wahnfried recordings in Autumn 1993 which led to the "[m=243075]" album, but Klaus did not use this track then. "Conquest?" is a composition by Vangelis; Klaus was asked to record it for a single release, as close as possible to Vangelis' original, and he did. "Grosse Gaukler Gottes" was made for the German tv promoted sampler "[url=https://www.discogs.com/Various-Visions-Of-Sound-Best-Of-Synthesizer-Music/release/1469101]Visions of Sound[/url]", in January 1994.
Tracks 4 to 8: These five recordings were made in April 1994, for the soundtrack to the movie "Living on Borrowed Time". [?] Besides his usual gear Klaus played - after 25 years - his electric lap guitar again. [?]
The funnily called "Dreieinhalb Stunden" (Three-and-a-half hours) was on a CD that was part of the July '96 edition of German music magazine "Keys"; Klaus had recorded it the previous month together with Jörg Schaaf. And finally, we have two versions of the 1998 recording "The Schulzendorf Groove" for the album "[r=951819]". And the very end brings us an ad hoc playing and recording of Klaus' visit at a radio station; he tried to present some sounds on the EMS Synthi A; I had put it at the end of 1999 on the limited "[r=538640]" CD.
Published 1992 by E.M.I. Music Publishing ("Conquest of Paradise" from Vangelis)
Published 1996 by P.O.E.M. Musikverlag ("Dreieinhalb Stunden")
Published 1993 by P.O.E.M. Musikverlag ("Grosse Gaukler Got"La Vie Electronique 14" on CD presents a further deep dive into the visionary sound cosmos of Klaus Schulze, one of the key architects of electronic and space music. This volume of the long-running archive series continues to document Schulze's creative phases with rare, previously hard-to-find recordings, extended pieces and sound experiments that illuminate his evolution from cosmic soundscapes to more sequencer-driven works. The tracks unfold in long, immersive forms, built from slowly shifting pads, analogue synth textures and hypnotic rhythmic patterns that invite focused listening as well as relaxed, meditative immersion. Fans of classic Berlin School electronics will find both atmospheric drones and organically developing themes that highlight Schulze's gift for sculpting time and space with sound. This CD is ideal for listeners who appreciate expansive compositions, minimalistic structures and a cinematic sense of depth in electronic music.
Klaus Schulze (1947-2022) was a pioneering German electronic musician and composer, best known for his role in defining the so-called Berlin School of electronic music. After early stints with bands like Tangerine Dream and Ash Ra Tempel, he embarked on a highly influential solo career in the 1970s, releasing a series of groundbreaking albums that helped shape ambient, space and progressive electronic music worldwide. His long-form compositions, masterful use of analogue synthesizers and sequencers, and his fearless approach to experimentation earned him a dedicated international following and inspired countless artists from electronic, film and experimental scenes. Over several decades, Schulze became a reference name for expansive, atmospheric soundscapes and remains one of the most respected figures in avant-garde and electronic music.
The CD is released by MIG / Indigo, a label and distributor known for carefully curated reissues, archival editions and high-quality productions in rock, jazz and electronic music. MIG / Indigo often focuses on preserving important catalogue titles and presenting them in thoughtfully prepared editions with attention to sound quality and detailed documentation. Their work has contributed to keeping influential, sometimes hard-to-find recordings available to a wider audience, giving both long-time fans and new listeners access to significant chapters of music history. | | | Manufacturer No.: |
05122232 |
| Product Safety
Responsible Person for the EU:
Made_in_Germany-Music GmbH
Hildesheimer Str. 83, 30169 Hannover, DE
www.mig-music.de | |
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